A Simple Desultory Philippic (also known as: “How I Was Robert McNamara’d Into Submission”) stands out as a unique and intriguing piece in the Simon & Garfunkel catalog.
Written by American singer-songwriter Paul Simon, it was first recorded for Simon’s 1965 UK-only debut, “The Paul Simon Songbook,” and then re-recorded with his partner Art Garfunkel for their third album “Parsley, Sage, Rosemary and Thyme.”
This song is notable for its parody of Bob Dylan’s writing style, particularly resembling Dylan’s “Subterranean Homesick Blues.”
Meaning of “A Simple Desultory Philippic”
- Parody of Bob Dylan’s Style: The song is a playful imitation of Dylan’s distinct songwriting, especially from “Subterranean Homesick Blues.” Simon uses a similar rapid-fire, free-associative lyrical approach.
- Cultural and Political References: The lyrics are dense with references to various cultural and political figures of the time, like Lyndon Johnson, Jack Kerouac, and John Birch.
- Expression of the 1960s Sociopolitical Climate: The song encapsulates the tumultuous spirit of the 1960s, touching on themes like political activism, cultural upheaval, and artistic innovation.
- Commentary on Contemporary Music Scene: By imitating Dylan, Simon comments on the influence and trends within the folk and rock music scenes of the era.
- Use of Humor and Irony: The song employs humor and irony, critiquing the serious tone of protest songs while simultaneously engaging in social commentary.
Contextual Background
In early 1965, Paul Simon was frequently traveling between the United States and Great Britain, ultimately spending most of the year in Britain. It was during this period that he recorded “The Paul Simon Songbook” in London. The song, according to the album’s liner notes, is a “take-off, a take-on, a private joke, but no joke is all that private or any less serious for being a joke.”
The 1966 version, recorded with Art Garfunkel, features several lyrical changes and a revised list of name-drops, reflecting the evolving cultural landscape. References to figures like Norman Mailer, Maxwell Taylor, and Robert McNamara highlight the song’s connection to its historical context.
Paul Simon’s Perspective
Unfortunately, specific comments or interviews where Paul Simon directly discusses “A Simple Desultory Philippic” in detail were not readily available. However, the playful and satirical nature of the song suggests that Simon was both acknowledging and gently mocking the trends in the contemporary music scene, particularly the style of Bob Dylan.
Conclusion: Legacy and Relevance
“A Simple Desultory Philippic” is a time capsule of the 1960s, capturing the era’s cultural and political zeitgeist. Its humorous take on serious topics and the parody of a prominent music style make it a unique piece in the folk-rock genre.
While its specific references might date it to a particular era, its commentary on the nature of protest songs and political engagement in music remains relevant.
As new generations rediscover the music of Simon & Garfunkel, this song offers a window into the complexities and nuances of the 1960s music scene. Its enduring appeal lies in its cleverness and the universality of its underlying themes of artistic expression and social commentary.